whitewashiiiing
I’m still wondering why Matthew Lillard stole Lena Headey’s weave
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I intend to write more about this film over coming months and years. I feel there is so much to say...
Thanks to a fan girl post I wrote about Julie Delpy a while back (you can read it here), HuffPost Live asked me to sit down with her and Richard...
I just need to say this.
2013 has been a horrible year for me. My life has been shattered, in multiple ways, I’ve had shit thrown at me in all...
Frankenstein (1931) James Whale
I haven’t seen a lot of the old monster movies, so I don’t have much of a point of comparison, but this one was great. I thought a lot about The Cabinet of Dr. Caligari, particularly in the opening scenes - lots of canted angles, and a path that I expected Cesare to walk up at any moment. The photography is really beautiful, but I found myself wishing the camera would linger on a few particularly beautiful frames just a second or two longer - sneaking into the lecture hall, a moment in the monster’s cell, the mob moving across a field with that diagonal band of light. The vertical structures, reaching toward the heavens, are really striking.
The two main performances cannot go without comment either. Although both main characters are monsters in their own right, there is a deep human element in the portrayal of both. Dr. Frankenstein is completely recognizable as the tortured genius, reaching precarious heights - and fall he does. Boris Karloff, as Frankenstein’s monster, is a little laughable at times, but overall, really astonishing as a mad, tortured animal grasping for humanity.
Fritz is an asshole though (but also understandable in his slide from the biggest monster/ picked on, to the next-to-biggest monster/ picker on).
#168 - 7/28/2012